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rock.pop
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"She
thinks intuition is a feeling in her gut / What we got tired of waiting
for she'll never have enough" I can't get enough
of Mark Geary. From first listen, his 33 1/3 Grand Street has been
a fixture in my three-CD disc changer, and it's not going anywhere any
time soon. Released at the end of 2002 on Gill Holland's sonaBLAST! Records,
the album paints a picture of the Irish-born singer/songwriter, as he
reels you into his world, giving you only a hint thats vague
enough to make you want to learn more. What have I learned?
Mark Geary's torn between his homes in Ireland and New York City (having
made the trip across the Atlantic around a decade ago with nothing but
$100 and a green card), he has loved and lost, and God has been watching
from above every step of the way. What do I know? 33
1/3 Grand Street is a debut album well worth the wait from an artist
that started out playing shows with Jeff Buckley after he first arrived
in the East Village, and has been opening for everyone from Elvis Costello
to Coldplay and Billy Bragg for years. The internal conflict
between his departure from Ireland and arrival in New York seems to be
the most prevalent theme on the album, hinted at in the fabulous opening
track "Gingerman", and throughout the record in "Obi's
Chair", "Not Like Home" and "America". The strongest
track, though, is probably "Suzanne" -- a love song, perhaps?
-- where Geary's voice shows what it's made of. And that's what makes this record so enjoyable. His voice, a combination of Paul Simon and Damon Gough with some Sting mixed in grabs hold of you and keeps you hanging on every phrase, and his personal and thoughtful lyrics make you glad you stuck around. |
2003
1-42 Online Magazine